New works 2024
You can follow me on INSTAGRAM teresalawtonart
Email: contact@ teresalawton.co. uk
Mobile: 07890 559246
2024
Most of the paintings on these pages are available & for sale
unless stated otherwise.
Some are being exhibited at galleries so please feel free to contact me for further information.
I can then let you know which galleries they are in, where they might be located & prices etc
Email: [email protected]. uk
Mobile: 07890 559246
2019
Teresa Lawton 2019
My paintings are invented from my dreams and observations all mixed up together. I have an endless curiosity about the landscape and nature, I walk every day and I never tier of the countryside. With paint I can create my version of what bits and pieces I see and put them together. Often my work is abstracted to an extreme, I experiment by working up the surface of my canvas with layers of oil paint which can make for either a dark intense painting or I can lighten my pallet up creating shapes and shadows within clear and open space.
Early on this year the hills, fields, forests and woodlands looked so beautiful that I felt I wanted to open the work up and have more narrative, to delve into the landscape a bit more and pick it apart. I work instinctively, often inventing as I go, so I don’t set myself any boundaries. The trees have been a great source of inspiration and I have brought them into my work in stark stylised shapes. Walking is a good start to my working day, it gives me a structure to start from. My thoughts each day will set the mood of the painting. This years paintings are very still and quiet, honed down and minimal at times.
My paintings are invented from my dreams and observations all mixed up together. I have an endless curiosity about the landscape and nature, I walk every day and I never tier of the countryside. With paint I can create my version of what bits and pieces I see and put them together. Often my work is abstracted to an extreme, I experiment by working up the surface of my canvas with layers of oil paint which can make for either a dark intense painting or I can lighten my pallet up creating shapes and shadows within clear and open space.
Early on this year the hills, fields, forests and woodlands looked so beautiful that I felt I wanted to open the work up and have more narrative, to delve into the landscape a bit more and pick it apart. I work instinctively, often inventing as I go, so I don’t set myself any boundaries. The trees have been a great source of inspiration and I have brought them into my work in stark stylised shapes. Walking is a good start to my working day, it gives me a structure to start from. My thoughts each day will set the mood of the painting. This years paintings are very still and quiet, honed down and minimal at times.